The rarest admission in modern folk isn’t heartbreak or longing. It’s deciding which kind of love you’re willing to settle for.
Drea Lake’s title track from her debut album, A Call from Somewhere Else, confronts that choice head-on, choosing mentorship over romance with the sort of clear-eyed acceptance most songwriters avoid.
There’s no ambiguity here, just someone mapping out a role they’ve already accepted.
Guitar strums jangle with a restless quality, circling the same progression whilst Lake’s melismatic vocals stretch across the melody with confidence.
Each phrase carries the weight of hindsight, sung like someone who’s already worked through the grief. When she sings “I will never be your woman,” it’s not rejection but recognition. The track operates in that space where infatuation meets reality and chooses the long view.
Lake doesn’t dress up platonic devotion as martyrdom. Lake isn’t pining; she’s choosing. “There’s a different kind of love / And I’d like a part in that” reads like someone who’s done the maths and accepted the terms. It’s rare to hear folk music treat non-romantic love as a deliberate choice rather than consolation.
Antoine Dufour’s co-production keeps the arrangement sparse enough to let Lake’s melodies do the heavy lifting.
The prism metaphor in the bridge gets at something true about distance and clarity, how stepping back sometimes lets you see someone properly.
The track has charm that grabs you, but it’s the sort that only reveals itself when you’re paying attention to what’s not being said.
Love from the North Star Galaxy, she calls it. Far enough away to keep perspective, close enough to matter.
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