Tate McRae’s Exes: An In-Depth Analysis of Its Lyrical Depth and Musical Innovation

Following her profound exploration of themes in Greedy, Tate McRae once again captivates the pop music scene with her latest single, Exes. This track, emerging as a sequel in her journey of lyrical and emotional exploration, showcases McRae’s growing prowess in intertwining complex emotions with compelling melodies. Building on the introspective narrative style that defined Greedy, Exes from her upcoming album Think Later offers a fresh perspective on the nuances of past relationships and self-awareness, cementing McRae’s status as not just a singer but a storyteller for the modern age.

The Genesis of a Chart-Topper: A Fusion of Spontaneity and Genius

Exes emerged from a burst of creative spontaneity, penned within a mere 30 minutes and produced in just 90. This rapid genesis underscores McRae’s innate musical prowess and her synergistic rapport with Tedder and Spry. Such a swift creation process, far from diluting its quality, has imbued the track with an authentic, raw energy that resonates with listeners.

Lyrical Analysis: Unveiling the Layers of Exes

The song’s lyrics serve as a canvas where McRae paints a vivid picture of emotional vulnerability and resilience. The chorus, “Kisses  to my exes who don’t give a shit about me/Kisses, kisses to the next ones who think they can live without me“—is a masterful blend of defiance and vulnerability, reflecting the dual nature of human emotions in the face of rejection and loss.

In the verses, McRae delves deeper into her introspection, acknowledging her flaws in relationships with rare self-awareness. The lyrics “Little messed, little selfish, we ain’t married, I ain’t 30” speak to a generation grappling with the complexities of modern relationships.

The bridge of the song serves as the emotional climax, where McRae confronts her feelings head-on, encapsulating the essence of the track and capturing a journey through the highs and lows of past loves and the personal growth that emerges from these experiences.

Visual Symphony: The Rodeo-Themed Music Video

The song’s narrative is further enriched by its accompanying music video, a visual spectacle directed by Aerin Moreno and choreographed by Sean Bankhead. Set against the backdrop of a dilapidated rodeo, the video is a mélange of dynamic performances and raw aesthetics, perfectly complementing the song’s thematic essence.

Mastering the Digital Realm: McRae’s Social Media Strategy

McRae’s astute utilisation of social media platforms, particularly TikTok, has been instrumental in her meteoric rise. By teasing Exes online, she not only garnered millions of views but also fostered a direct, palpable connection with her audience.

Conclusion: A Harmonic Confluence of Artistry and Authenticity

Exes by Tate McRae transcends the boundaries of conventional pop music. It is a confluence of catchy rhythms, relatable narratives, and visually arresting imagery. This song is not just poised to be another chart-topper for McRae; it is a vibrant testament to her artistic growth and her unflinching honesty in exploring the nuances of emotional experiences.

Tate McRae Exes Lyrics

Intro
Oh, I’m sorry, sorry that you love me. Ha-ha-ha-ha-ha-ha
Changed my mind up like it’s origami
Oh, I’m sorry, sorry that you love me. Ha-ha-ha-ha-ha-ha
Changed my mind up like it’s origami

Chorus
Kiss kiss kiss Kisses to my exes who don’t give a shit about me
Kisses, kisses to the next ones who think they can live without me
We make up, then we break up, then they swear they’ll never call me
But I still keep their number and their necklace, kisses to my exes

Verse 1
Happens еvery time
I don’t mean, mеan to be cold, but that’s how I get, oh
Me and all my pride
Tryna burn down every damn bridge any time we can, and again

Pre-Chorus
I’m a, I’m a, I’m a wild ride that never stops
I’m a, I’m a, I’m a hard case they can’t unlock
And I, and I swear I care a lot, just not enough
Let’s just say it is what it is and was what it was

Chorus
Kiss kiss kiss Kisses to my exes who don’t give a shit about me
Kisses, kisses to the next ones who think they can live without me
We make up, then we break up, then they swear they’ll never call me
But I still keep their number and their necklace, kisses to my exes

Post-Chorus
Oh, I’m sorry, sorry that you love me. Ha-ha-ha-ha-ha-ha
Changed my mind up like it’s origami
Oh, I’m sorry, sorry that you love me. Oh-oh-oh
Changed my mind up like it’s ori

Verse 2
Say, say I wanna go there, then I wanna leave
Make another promise that I can’t keep
I don’t ever know what I want, but that’s what you want
If you’re down, well, then don’t blame me
Breakin’ it all before it starts, makin’ it all up in my head
But I just overshare ’bout things I never meant

Pre-Chorus
I’m a, I’m a, I’m a wild ride that never stops
I’m a, I’m a, I’m a hard case they can’t unlock
And I, and I swear I care a lot, just not enough
Let’s just say it is what it is and was what it was.Was

Chorus
Kisses to my exes who don’t give a shit about me
Kisses, kisses to the next ones who think they can live without me. Nah, nah
We make up, then we break up, then they swear they’ll never call me. Yeah
But I still keep their number and their necklace, kisses to my exes

Post-Chorus
Oh, I’m sorry, sorry that you love me Ha-ha-ha-ha-ha-ha
Changed my mind up like it’s origami
Oh, I’m sorry, sorry that you love me Ha-ha-ha-ha-ha-ha
Changed my mind up like it’s origami Ha-ha

Outro
Kisses to my exes, I know that I did you dirty
Little messed up, little selfish, we ain’t married, I ain’t thirty
Yeah, we hooked up, then we broke up, then I said you really hurt me
But I still got your number and your necklace, kisses to my exes