Plàsi Strips Back Avignon and Finds New Magic in Simplicity

Remember that sun-drenched road trip through France that Plàsi took us on with Avignon?

Well, he’s just handed us the car keys to a completely different journey. One that trades the glittering instrumentals and breezy soundscapes for something far more intimate.

The piano version of Avignon isn’t just a stripped-down copy of its original – it’s an entirely new emotional landscape.

Gone are the layered productions and electric guitar flourishes that marked his collaboration with Björn Yttling.

Instead, we’re left with the raw essentials: Plàsi’s distinctive voice and piano keys that seem to float in space.

The Swedish-Greek folk artist’s vocals, now laid bare against the piano’s sparse accompaniment, reveal subtle nuances that were previously tucked away beneath the original’s fuller arrangement.

“Where I believed that we could be free” – a line that previously soared with summer optimism – now carries a gentle melancholy that tugs at something deeper. It’s amazing how removing layers can add meaning.

If the original Avignon was a windows-down drive through the South of France, this version is more like walking those same streets at midnight, when the tourist crowds have dispersed and the ancient city holds its breath.

The piano’s resonance creates a sense of space that feels both vast and incredibly personal.

The journey from Sweden to Castellón remains, but now it feels more like a memory than a live adventure – softer around the edges, tinged with nostalgia that only comes with distance.

Those who fell for the original’s sun-kissed charm might need a moment to adjust to this more contemplative approach.

But give it time. There’s something quite magical about hearing a familiar journey told in a completely new voice.