· Alex Harris · Trending
Drake Rich Baby Daddy Lyrics: A Comprehensive Breakdown
Drake has a knack for making anything sound good, and his track, Rich Baby Daddy, is no exception.
Featuring the talents of SZA and viral sensation Sexyy Red, this track has quickly become a standout hit from Drake’s most recent album, For All the Dogs.
Released on October 6, 2023, Rich Baby Daddy marks the second official collaboration between Drake and SZA, following their September 2023 hit “Slime You Out,” and the first official collaboration between Drake and Sexyy Red.
The song debuted and peaked at #11 on the Billboard Hot 100 for the chart week ending October 21, 2023, underscoring its immediate impact.
Release and Production
Rich Baby Daddy was released as the 20th track on For All the Dogs through OVO Sound and Republic Records.
This infectious single features the combined efforts of Drake, SZA, and Sexyy Red, showcasing their unique styles and chemistry.
The song’s production team is a powerhouse of talent, including Gordo, Liohn, Klahr, Bnyx, Dougie F, the Loud Pack, and UV Killin Em, with additional contributions from Florence Welch, Isabella Summers, and T. Schaeferdieck due to the interpolation of Dog Days Are Over by Florence + the Machine.
“Rich Baby Daddy” Lyrics: Breakdown and Analysis
Rich Baby Daddy lyrics might be provocative; however, combined with the catchy beat, they create an irresistible groove that balances the boldness.
Here’s a detailed look at the song’s lyrics and the themes they explore:
Part I: The Club Anthem
The track opens with a vocal loop from “OSS SOJD 133 VOCAL LOOP IS IT ALL Eb” by Jessica Domingo, setting an atmospheric and slightly ethereal tone.
Sexyy Red’s chorus is bold and unapologetic and certainly not PG creates an energetic club vibe.
Her lines like “Bend that ass over, let that coochie breathe” and “Shake that ass, b*tch, hands on your knees” are designed to get listeners moving, embodying the song’s lively spirit.
Drake’s verse is a smooth blend of rapping and singing. He persuades his girl of interest to leave her current man and join him, promising a more lavish and exciting life.
Lines like “I still got some love deep inside of me” and “Just might get that G-Wagon out of me” highlight his mix of emotional depth and material allure.
Part II: The Emotional Depth
SZA’s verse adds a layer of emotional complexity. Fresh off her appearance on “Slime You Out,” she delivers lines that reflect a bittersweet understanding of love, such as “Feels good, but it can’t be love” and “Ain’t a damn thing that I’d do.”
The bridge features Sexyy Red repeating “I’m lucky,” adding a personal touch that contrasts with the otherwise bold and brash lyrics.
Sexyy Red’s final verse showcases her confidence and assertiveness. Lines like “Red weave, it match my thong” and “Nails done, I’m fine as f*ck” are a testament to her confident persona and commanding presence.
Drake’s outro brings a reflective feel to the track. He touches on the aftermath of relationships and the clarity that comes after intense experiences, with lines like “Post nut clarity, I came to my senses” and “The dog days are over, dog days are done.”
“Rich Baby Daddy” Music Video: A Visual Extravaganza
The music video for Rich Baby Daddy, directed by Drake, adds a unique dimension to the song.
Filmed on New Year’s Eve and February 4, 2024, the video documents the actual birth of Sexyy Red’s second child.
This real-life event adds an unprecedented layer of authenticity and emotional depth to the visual narrative.
The video starts with vibrant party scenes, transitioning to the raw and intimate moments of Sexyy Red going into labour.
The climactic scenes depict her giving birth, with audio of her labour included.
The final scenes feature Sexyy Red dancing in the hospital with her newborn, a powerful image that juxtaposes the joy of new life with the song’s energetic tone.
The Impact and Reception
Rich Baby Daddy has received widespread acclaim for its infectious beat and memorable performances.
Critics have praised the track for its Miami bass-inspired production and the dynamic interplay between the featured artists.
Drake’s ability to match the vocal styles of his collaborators, much like his approach on “In My Feelings” with City Girls, is a notable highlight.
Sexyy Red and SZA’s contributions are particularly lauded. Their parts bring a raw, energetic vibe to the track, perfectly complementing the club-ready beat.
The interpolation of “Dog Days Are Over” by Florence + the Machine adds a nostalgic yet fresh element, showcasing Drake’s innovative approach to blending genres.
Behind the Scenes: The Collaboration
The collaboration between Drake, SZA, and Sexyy Red has an interesting backstory.
After linking up during Drake’s It’s All A Blur tour, where Sexyy Red even served as an opening act in some cities, the chemistry between the artists was undeniable.
This synergy is evident in the track, highlighting the chemistry and creative spark between Drake, SZA, and Sexyy Red.
Conclusion
Rich Baby Daddy by Drake, featuring Sexyy Red and SZA, is a vibrant and dynamic track that stands out on For All the Dogs.
Its release has solidified Drake’s ability to craft hits that resonate with a wide audience.
Rich Baby Daddy lyrics, along with innovative production and impactful visuals, make the song a standout in Drake’s discography.
Whether you’re drawn to the energetic beats or the emotional depth, Rich Baby Daddy offers something for everyone.
Check out the official music video and experience the unique collaboration that has everyone talking.
You might also like:
- Twenty One Pilots Backslide Lyrics: A Look into Duality, Regret, and Hope
- Unravelling the Depth and Beauty of Saturn by SZA: A Lyrics Analysis
- The Rise of Tommy Richmans Viral Hit Million Dollar Baby
- The Timeless Resonance of Motherless Lyrics by Killer Mike ft. Eryn Allen Kane
Drake Rich Baby Daddy Lyrics
[Part I]
Intro: Jessica Domingo
Is it all
I could be enough
Is it all
I could be enough
Is it
Chorus: Sexyy Red
Bend that ass over (Baow), let that coochie breathe (Yeah)
Shake that ass, bitch, hands on your knees (Ho)
Hands on your knees (Ho), hands on your knees (Ow)
Shake that ass for Drake (Yup), now, shake that ass for me
Bend that ass over (Baow), let that coochie breathe (Yeah)
Shake that ass, bitch, hands on your knees
Hands on your knees, hands on your knees
Shake that ass for Drake (Yeah), now, shake that ass for me
Verse 1: Drake
Ayy, I still got some love deep inside of me
No need to lie to me, I know you got a guy
He’s not a guy to me
Just say goodbye to him, then take the ride to mе, ride to me
I still got some lovе deep inside of me
Please drag it out of me
You just might
Just might get that G-Wagon out of me
Please drag it out of me, please drag it out
Rollie gang, patty gang, rich baby daddy gang
I’m with Red like I’m at a Cincinnati game
Hood bitch, tat her gang ‘fore she tat her name
Real bitch, held me down ‘fore I had a name
Heard there’s money on my head, what is that to me?
I put a hundred bands on him, he put a rack on me
We from two different worlds, but it’s a match to me
The bend it over only time she turn her back on me (For real)
Chorus: Sexyy Red
Bend that ass over (Baow), let that coochie breathe (Yeah)
Shake that ass, bitch, hands on your knees (Ho)
Hands on your knees (Ho), hands on your knees (Ow)
Shake that ass for Drake (Yup), now, shake that ass for me
Bend that ass over (Baow), let that coochie breathe (Yeah)
Shake that ass, bitch, hands on your knees
Hands on your knees, hands on your knees
Shake that ass for Drake (Yeah), now, shake that ass for me
Verse 2: SZA
You been so good and you deserve to end your suffering
I need a dick and conversation, can you comfort me?
I got a feeling this is more than what we both would say
I got a feeling this is more than a feeling
I can’t let you get away
Feels good, but it can’t be love
Ain’t a damn thing that I’d do
Ain’t a damn thing, oh
Chorus: Sexyy Red & SZA
Bend that ass over (Ooh), let that coochie breathe (Ooh)
Shake that ass, bitch (Ooh), hands on your knees (Ooh)
Hands on your knees (Oh, bend it), hands on your knees
Shake that ass for Drake (Uh), now, shake that ass for me
Bend that ass over (Yeah), let that coochie breathe (Yeah)
Shake that ass, bitch (Yeah), hands on your knees (Hands on your)
Hands on your knees (Hands on your), hands on your knees (Yeah)
Shake that ass for Drake, now, shake that ass for me (Shake, shake, shake)
Verse 3: Sexyy Red
You like my voice, I turn you on
Red weave, it match my thong
He heard about me, know my song
I drive him crazy, can’t leave me ‘lone
Foreign trucks, I pull up
Thirty inches to my butt
Nails done, I’m fine as fuck
Niggas tryna see what’s up
Bridge: Sexyy Red
I’m lucky
I’m lucky
I’m lucky
I’m lucky
Chorus: Sexyy Red
Bend that ass over (Baow), let that coochie breathe (Yeah)
Shake that ass, bitch, hands on your knees (Ho)
Hands on your knees (Ho), hands on your knees (Ow)
Shake that ass for Drake (Yup), now, shake that ass for me
Bend that ass over (Baow), let that coochie breathe (Yeah)
Shake that ass, bitch, hands on your knees
Hands on your knees, hands on your knees
Shake that ass for Drake (Yeah), now, shake that ass for me
[Part II]
Verse: Drake
You know the root of it
You know the lies and you know the truth of it
I see the future and I can see you in it
Girl, I’m not stupid, so don’t play no stupid shit
I swear, poppin’ my shit come with consequences
Post nut clarity, I came to my senses
I knew it was love when it started as a friendship
Askin’ ’bout a baby, we should probably get a Frenchie
And take care of the dog
Take care of the dog
Until the dog days are over
The dog days are done
And you know I’m the one, I’m the one
The dog days are over, dog days are done
And you know I’m—
Outro: Drake
We was fuckin’ night after night, I’ll change your life
You ain’t even know how to suck it right, I taught you right
You ain’t even heard of Grace Bay ’til I bought the flight
You ain’t even know how cold you was ’til I bought you ice
You can’t even look at him the same, we a different type
You just text me trippin’, I reply, “Have a safe flight”
Wanna stick around for the ride, baby, hol’ on tight