Chris Brown ft. Bryson Tiller It Depends: A Throwback Slow Jam That Knows Exactly What It Wants

Chris Brown isn’t out to prove anything on It Depends. He’s done that already.

Platinum plaques, global tours, Grammys, and a catalogue that shaped R&B for a generation.

So when he teams up with Bryson Tiller on this latest track, there’s no urgency to reinvent the wheel. The sound is confident. Relaxed. It knows the assignment and sticks to it.

Released on 25 July 2025 during the Breezy Bowl XX world tour, It Depends slots into Brown’s recent wave of R&B singles.

But this one leans in more slowly. Produced by Nico Baran and RIOTUSA, the song uses the bridge of Usher’s Nice & Slow not just as a sample but as a blueprint.

From the first few bars, it sets the mood without needing to say much.

The tone isn’t just sensual, it blends sexual affirmation with devotion.

That combination of desire and grounded intention gives the track a shape that feels smooth without being showy.

Brown’s delivery is just as deliberate. There’s no reach for high drama.

His vocals glide. “You bad as hell, I treat you well, I will,” he sings, not as a flex but more like a contract.

These aren’t lines dressed up as love. They’re statements with weight.

When he adds, “Your fairytale, under your spell, I am,” it lands somewhere between fantasy and full consent.

Tiller joins in on the second verse with his usual tone reserved but precise.

“Shawty wanna come find out what’s good with me,” he sings, playing it cool while still leaving space for real intimacy.

Compared to earlier collaborations like Need You Right Here or Run Away, this one is more refined.

There’s less posturing. They sound like they’ve got nothing left to prove, and it makes the whole exchange feel less like a feature and more like a shared statement.

The hook repeats with purpose. “I freak you well, I freak you well, I will,” Brown echoes, not for shock value but for rhythm.

Long-time fans immediately picked up on the reference to To My Bed, which borrowed the same phrasing.

The callback isn’t lazy. It’s calculated. Even Reddit threads pointed out how that phrase, paired with the Usher interpolation, places the track in conversation with Brown’s earlier eras.

Some fans have also drawn attention to the cover art. It features Taylor Terry, one of Brown’s longtime dancers, whose appearances with him have always stirred speculation.

There’s no confirmation of anything more than professional chemistry, but the timing, visuals, and lyrical direction are enough to get people talking.

Whether she’s the inspiration or not, her presence adds another layer of intrigue to the release.

What keeps It Depends from slipping into throwaway territory is the restraint. Brown doesn’t crowd the space with filler lines or vocal theatrics.

He paces himself. The track sounds like it was made with headphones in mind, not clubs or charts.

And while it might not chase viral momentum, it lands with the kind of quiet confidence that stays on repeat long after the lights go down.

As of now, there’s no official music video, but the song has already passed a million streams in just a few days.

Fans have called it “that freaky CB,” praising it as a return to form. But this isn’t a rewind.

It’s something that exists in the middle; nostalgic but unforced, familiar but not recycled.

So what does it depend on? Maybe the mood. Maybe the person. Or maybe the fact that even after all this time, Brown still knows how to build a moment that doesn’t just sound good. It lingers.

If the sample had been anything else, would it have hit as hard? Or is the Usher reference the real magic holding this together?

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It Depends Lyrics by Chris Brown ft. Bryson Tiller

Intro
Do you feel my—?

Chorus: Chris Brown
You bad as hell, I treat you well, I will
It’s good, I can tell, come give me hell, come here (Come give me hell)
Your fairytale, under your spell, I am (Oh)
She get Chanel, oh, when it all—

Verse 1: Chris Brown
I guess I done ran out of options
Can’t keep fantasizin’, oh-oh
I’m callin’ you so we can lock in
But you call me toxic

Pre-Chorus: Chris Brown
You make it easy for me to believe in your lovin’ (Ooh)
You better believe it, ’cause, baby, I’m leavin’ with something (Ooh)
Girl, it’s better than the dick you had before
Smiling ’cause you know I know you know (Oh)

Chorus: Chris Brown
You bad as hell, I treat you well, I will
It’s good, I can tell, come give me hell, come here
Your fairytale, under your spell, I am
She get Chanel, oh, when it all depends (Oh yeah, baby)
You screaming “Yeah”, can’t call for help from here (No)
You leaving welts, I feel your nails, for real
I eat you good, you sleepin’ good, for real
I freak you well, I freak you well, I will

Post-Chorus
I’ll freak you right I will
I’ll freak you right I will
I’ll freak you like no one has ever, ever made you feel
I’ll freak you right I will
I’ll freak you right I will
I’ll freak, freak it like no one has ever made you feel, yeah

Verse 2: Bryson Tiller
Shawty wanna come find out what’s good with me (What’s good? What’s good?)
Well, girl, it all depends on what you need at night, hey
She wan’ do, I heard he let you go free at night
Don’t you go love me outta spite
Hey, hey
I don’t wanna send the wrong signs, but I can read your mind
Left you alone, you’re all mine, you’re all mine
Tell me if now is the wrong time, I need a long time, I need a—
I need a long time, I need a—
I need a long time, oh
Girl, I’ll be your best, yes
Then I’ll be your best again
Oh yes, yes, yes (Oh yes)
When you ask for sex again
Don’t care ’bout the rest of them, you startin’ to forget
See what I’m sayin’, you don’t need ’em, yeah (Oh)

Chorus: Chris Brown & Bryson Tiller
You bad as hell, I treat you well, I will
It’s good, I can tell, come give me hell, come here (Come give me hell)
Your fairytale, under your spell, I am (Under your spell)
She get Chanel, oh, when it all depends (Oh yeah, baby)
You screaming “Yeah”, can’t call for help from here (I’m here, no)
You leaving welts, I feel your nails, for real
I eat you good, you sleepin’ good, for real (I)
I freak you well, I freak you well, I will

Verse 3: Chris Brown, Bryson Tiller
Number one in my top ten
Fuck them other bitches, you not them
Hublot, baby, you clocked in
Passenger princess, hop in (Oh)
Girl, you knowin’ what time it is
Pussy good, I’ma lock it in
Beat that shit out the box again, oh (Yeah)
Tryna see where your conscience is
Can we keep this anonymous?
Oh, you wan’ be monogamous? Oh-woah
Oh, might take the rubber off
Oh, yeah

Pre-Chorus: Chris Brown
‘Cause you make it easy for me to believe in your lovin’ (Ooh)
You better believe it, ’cause, baby, I’m leavin’ with something (Ooh)
Girl, it’s better than the dick you had before
Smiling ’cause you know I know you know (Oh)

Chorus: Chris Brown
You bad as hell, I treat you well, I will
It’s good, I can tell, come give me hell, come here (Come give me hell, baby)
Your fairytale, under your spell, I am
She get Chanel (Ooh), oh, when it all depends (Oh yeah, baby)
You screaming “Yeah”, can’t call for help from here (I’m here, no)
You leaving welts, I feel your nails, for real
I eat you good, you sleepin’ good, for real (Night, night, baby)
I freak you well, I freak you well, I will

Post-Chorus: Chris Brown
I’ll freak you right I will (Oh)
I’ll freak you right I will (I will)
I’ll freak you like no one has ever, ever made you feel (I will)
I’ll freak you right I will (Uh-huh)
I’ll freak you right I will (Yeah)
I’ll freak, freak it like no one has ever made you feel, yeah
Yeah

Outro: Chris Brown
You bad as hell, I treat you well, I will
It’s good, I can tell, come give me hell, come here
Your fairytale, under your spell, I am
She get Chanel, oh, when it all depends