America Has a Problem: A Deep Dive into Beyoncé and Kendrick’s Musical Odyssey

In the vast universe of contemporary music, where songs often come and go like shooting stars, a track has emerged, shining brighter and lasting longer in our collective consciousness. Beyoncé’s America Has a Problem, especially its remix featuring the lyrical maestro Kendrick Lamar, has not just become an anthem but a cultural phenomenon.

Let’s delve deeper into this musical marvel, exploring its nuances and understanding its magic.

Echoes from the Past

At first glance, the title America Has a Problem evokes thoughts of socio-political commentary. Yet, in a delightful twist of artistry, it draws inspiration from Kilo Ali’s 1990 song “Cocaine (America Has a Problem).” This ingenious connection to a past era infuses the track with a sense of depth and nostalgia, making it a beautiful blend of old-school vibes and modern sensibilities.

Genre-Blending Brilliance

To pigeonhole America Has a Problem into a single genre would be akin to capturing the ocean in a bottle. The song is a symphony of hip-hop beats, sultry R&B melodies, and pop’s infectious energy. It’s a testament to Beyoncé and Kendrick’s unmatched artistry, showcasing their talent for weaving diverse musical threads into a cohesive tapestry.

The Vocal Majesty of Beyoncé

Every note that Beyoncé hits is imbued with emotion, power, and passion. Her voice, whether hitting the high notes or delving into deeper, sultry tones, becomes the soul of the track. The exact musical key might be a detail for the purists, but the raw emotion and storytelling in her voice resonate with every listener, making the song an emotional journey.

A Timeless Release

Released as a gem in Beyoncé’s Renaissance album in July 2022, America Has a Problem was already a standout. However, the remix, enriched with Kendrick Lamar’s poetic and hard-hitting verses, transformed it from a gem to a crown jewel, ensuring its place in musical history.

Lyrical Layers and Intricacies

Beyond the melodies and beats, the lyrics are where the song’s heart truly lies. While many anticipated a politically charged narrative, the song unfolds as a celebration of self-worth, empowerment, and unapologetic confidence. Phrases like “You can’t get no higher than this” are not just catchy hooks but declarations of Beyoncé’s self-assured place in the world of music and beyond. The playful juxtaposition of the song’s title with its celebratory content offers listeners a delightful surprise, prompting deeper reflection on the layers of meaning within.

The Broader Impact

The song’s influence extends beyond charts and playlists. It has sparked discussions, interpretations, and even debates. Its ability to merge entertainment with thought-provoking content showcases the power of music as a tool for communication, reflection, and change.

In conclusion, America Has a Problem is not just a musical track; it’s an experience, a statement, and a testament to the transformative power of music. Through its intricate layers, masterful execution, and the sheer genius of its creators, Beyoncé and Kendrick have given the world a song that will be celebrated, analysed, and cherished for years to come.

Beyoncé Featuring Kendrick Lamar America Has A Problem (Remix) Lyrics

Intro: Kilo Ali
America, America has a problem

Verse 1: Kendrick Lamar
(Lama)
Tourbillion watcher, pgLang caller, 9-11 slider
Look at my garage, it’s synced up
Get the genie out the bottle and point at any model
(Lama)
What, wait, what? Ayy, what?
Go, Stink, fuck it up, go, Stink, fuck it up
Go, Stink, that’s what’s up, go, Stink, I’m in love
Hey, boo-boo, too much complexity to learn me from Google
My momma told me that the money outgrew you
My horoscope said I’m really out my noodle
I’m troublin’, I’m puzzlin’, it’s sudoku
Say Bey, yes, America got a problem
Geeked up, choosy love, well, they chose violence
Universal, please don’t play possum
I’m a businеss man doin’ as follows
Truthfully, I be lyin’ in my rap song
‘Cause I always fail to mention I’d slap homiе
His career didn’t come with no life insurance
Hope his day one fans got some facts on him
I’m an honorary Beyhive, let’s see why
Them diamonds don’t be fly, they all CGI
You better get it off your chest like breast reduction
If she stressed over you, she stressed for nothin’
Hold up, wait a minute
Even AI gotta practice clonin’ Kendrick
The double entendre, the encore remnants
I bop like ten men, the opps need ten men
Billboard, they know (Out for her, ride or else)
After Hov, rightfully so (Bust for else, not us)
Simmer down, I go, I go (Culture, you got us, you got us)

Verse 2: Beyoncé
Heard you got that D for me
Pray your love is deep for me
I’ma make you go weak for me
Make you wait a whole week for me (For me)
I see you watchin’, fiendin’
I know you want it, schemin’
I know you need it, drug lord
You want it on you? Don’t I know
You need love, I need some too
Do you want this like it wants you?

Refrain: Beyoncé
Know that booty gon’ do what it want to
Can’t hit it one time, multiple
I know you see these rack-rack-racks on me
Now come and get hi-i-i-i-i-igh
Twenty, forty, eighty out the trap, hit it with the rap
Put it on the map, then we right back
Call me when you wanna get hi-i-i-igh
Tony Montana with the racks
Ivy P on my bag, double G’s on my dash
Nigga, I’m bad, I’m bad
Tell me when you wanna get hi-i-i-igh

Pre-Chorus: Beyoncé & Kendrick Lamar
Boy, you can’t get no higher than this, no, no
‘Cause love don’t get no higher than this, no, no, no, no, no

Chorus: Beyoncé
Grind (Grind)
Boy, you know I grind (Grind)
When I pull up these jeans, you’re mine (When I pull up these jeans, you’re mine)
You’re mine (You’re mine, you’re mine)
When I step on the scene, they
Can’t wait to back it up
Your ex-dealer dope, but it ain’t crack enough
I’m supplying my man, I’m in demand soon as I land
Just know I roll with them goons (Goons)
In case you start acting familiar
This kind of love, big business
Whole slab, I kill for

Pre-Chorus: Beyoncé & Kendrick Lamar
Boy, you can’t get no higher than this, no (Higher)
‘Cause love don’t get no higher than this, no, no, no, no, no

Beyoncé & Kendrick Lamar]
Know that booty gon’ do what it want to (Fam)
Can’t hit it one time, multiple (Yam)
I know you see these rack-rack-racks on me (Racks)
Now come and get hi-i-i-i-i-igh
Twenty, forty, eighty out the trap, hit it with the rap
Put it on the map, then we right back (Run it back)
Call me when you wanna get hi-i-i-igh
Tony Montana with the racks
Ivy P on my bag, double G’s on my dash
Nigga, I’m bad, I’m bad (Yeah, yeah, yeah)
Tell me when you wanna get hi-i-i-igh (I’m bad)