The Marías “No One Noticed”: A Lyrical and Emotional Deep Dive

The Marías have built a reputation for transforming vulnerability into sonic art. 

No One Noticed, originally the eleventh track on their sophomore album Submarine, has now taken on a new life with its extended versions, released in both English and Spanish.

Each version stretches the song’s already introspective narrative, allowing it to explore themes of invisibility and yearning in even greater depth.

No One Noticed: From Demo to Extended Tracks

The origins of No One Noticed date back to 2020, when María Zardoya teased a raw demo online.

That early version hinted at the emotional weight the song carried, but it wasn’t until its release on Submarine that the track fully unfolded.

The extended versions, which leave out the demo’s original opening verse, hone in on the fragility of the protagonist’s unraveling state of mind.

The track became a cultural moment almost immediately after its release.

Its delicate yet devastating exploration of longing found resonance with audiences, becoming the most-streamed song from Submarine.

The Spanish version further intensifies the intimacy of the narrative, bringing María’s emotions to the forefront with visceral clarity.

A Haunting Sonic Palette

The production of No One Noticed echoes the delicate state of its protagonist.

A low-tempo guitar anchors the song, weaving through María’s ethereal vocals as though trying to hold her voice in place.

The beat shifts subtly, introducing a wavering drum pattern in the second verse that mirrors the instability of the lyrics.

A layered approach to vocals and instrumentation adds an emotional complexity.

In the refrain, reverberating harmonies suggest an inner dialogue—conflicted thoughts surfacing as María simultaneously yearns for connection and struggles with the pain of invisibility.

By the mid-section crescendo, the track breaks into a moment of catharsis, only to return to its sombre tone as though retreating into itself.

Diving Into the Lyrics: Love in a Lonely World

The lyrics are unapologetically raw, capturing the exhaustion of feeling unnoticed.

When María sings, “Maybe I lost my mind, no one noticed,” it feels less like a lament and more like a quiet acceptance of her place in someone else’s blind spot.

This line sets the foundation for the song’s exploration of emotional detachment in modern relationships.

The chorus reveals a conflicted vulnerability:
“It’s getting old (I’d kinda like it if you’d call me) / All alone (‘Cause I’m so over being lonely) / May have lost it (I need a virtual connection) / I have lost it (Be my video obsession).”

These lines juxtapose the yearning for connection with the hollow reality of digital intimacy.

The refrain, “Be my video obsession,” feels particularly striking, evoking the shallow validation of online interactions while exposing the deeper void they fail to fill.

In the Spanish version, a third verse takes the emotional weight even further. Translated, it reads:

“You’re so deep inside me / I’m still thinking about you / I’m still waiting for you / And you are, oh / So far away from me, oh / I’m still thinking about you / I get tired crying.”

The added verse lays bare the protagonist’s inability to let go, with a lingering connection to someone who barely noticed her presence.

The choice to include this verse only in Spanish adds an intimate layer to the extended version, as though María’s truest confessions could only be articulated in her native language.

Cultural Impact: Beyond the Music

No One Noticed has become more than a track—it’s a phenomenon. TikTok users have embraced its haunting refrain, creating a wave of recognition for the song across platforms.

Even Billie Eilish, known for her discerning taste, added the track to her Apple Music summer playlist.

Her public admiration, including a brief moment on TikTok where she sang along to the track, helped propel its visibility.

The Marías also opened for Eilish during her HIT ME HARD AND SOFT tour, a testament to the synergy between these artists.

The extended versions reflect the band’s awareness of the song’s reception.

These reworked tracks feel like a response to the audience’s love, providing more space for listeners to sink into the emotions that have made the song so popular.

A Unique Perspective on Heartache

What makes No One Noticed stand apart is its refusal to resolve the tension it creates.

The song lingers in a space of uncertainty, exploring the edges of heartbreak without offering tidy conclusions.

María’s voice holds the weight of someone grappling with feelings that refuse to be neatly categorised—an ache that is neither fully resigned nor entirely hopeful.

The extended versions take this even further, drawing listeners deeper into the complexity of its emotions.

Where other tracks might resolve, this one unravels.

It doesn’t attempt to tie up loose ends, instead allowing the listener to sit with the rawness of the experience.

The Marías, through No One Noticed, have crafted something that feels deeply alive.

The song doesn’t just tell a story—it becomes a moment of reflection, inviting listeners to confront the unspoken.

With its layered production, evocative lyrics, and undeniable emotional pull, it cements itself as one of the most compelling pieces in their repertoire.

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The Marías No One Noticed Lyrics (Extended Spanish)

Verse 1
Maybe I
Lost my mind
No one noticed
No one noticed

Chorus
It’s getting old (I’d kinda like it if you’d call me)
All alone (‘Cause I’m so over bein’ lonely)
May have lost it (I need a virtual connection)
I have lost it (Be my video obsession)

Verse 2
No one tried
To read my eyes
No one but you
Wish it weren’t true

Chorus
Maybe I (I’d kinda like it if you’d call me)
It’s not right (‘Cause I’m so over bein’ lonely)
Make you mine (I need a virtual connection)
Take our time (Be my video obsession)

Refrain
Come on, don’t leave me, it can’t be that easy, babe
If you believe me, I guess I’ll get on a plane
Fly to your city excited to see your face
Hold me, console me, and then I’ll leave without a trace
Come on, don’t leave me, it can’t be that easy, babe
If you believe me, I guess I’ll get on a plane
Fly to your city excited to see your face
Hold me, console me, then I’ll leave without a trace
Come on, don’t leave me, it can’t be that easy, babe
If you believe me, I guess I’ll get on a plane
Fly to your city excited to see your face
Hold me, console me, and then I’ll leave without a trace (Maybe I)
Come on, don’t leave me, it can’t be that easy, babe (It’s not right)
If you believe me, I guess I’ll get on a plane (Make you mine)
Fly to your city excited to see your face (Take our time)
Hold me, console me and then I’ll leave without a trace

Chorus
I’d kinda like it if you’d call me (It’s not right)
‘Cause I’m so over bein’ lonely (Make you mine)
I need a virtual connection (Take our time)
Be my video obsession

Verse 3
Estás tan dentro de mi
Te sigo pensando
Te sigo esperando
Y estás, oh
Tan lejos de mi, oh
Te sigo pensando
Me canso llorando