Author: Marcus Adetola

Exploring new music. Explaining it shortly after. Keeping the classics close. Neon Music founder.

Rich Delinquent & Tyla Yaweh – “Heartbreak Afterparty” Review

By Marcus AdetolaFebruary 14, 2026

Erin LeCount Turns Self-Doubt Into Momentum on “DON’T YOU SEE ME TRYING?”

Erin LeCount Turns Self-Doubt Into Momentum on “DON’T YOU SEE ME TRYING?”

By Marcus AdetolaFebruary 13, 2026

PIXY’s Shinigami Review: Death Note Energy Meets Cloud Rap

PIXY’s Shinigami Review: Death Note Energy Meets Cloud Rap

By Marcus AdetolaFebruary 13, 2026

J. Cole’s The Fall-Off Review: An Album About Ageing in Public

J. Cole’s The Fall-Off Review: An Album About Ageing in Public

By Marcus AdetolaFebruary 10, 2026

IVE’s “BANG BANG” Reassessment: Negotiation Dressed as Rebellion

IVE “BANG BANG” Diagnosis: Elegance vs Recklessness

By Marcus AdetolaFebruary 10, 2026

Taquirah’s “The Night” Remix Turns Longing Into Atmosphere

Taquirah’s “The Night” Remix Turns Longing Into Atmosphere

By Marcus AdetolaFebruary 10, 2026

MADEIN’s ‘Super Obvious’ Isn’t About Surprise — It’s About Knowing the Ending Before It Starts

By Marcus AdetolaFebruary 10, 2026

Molly Mogul’s ‘100 Things (That I’ve Been Meaning To Say)’ Review: Intimacy in Motion

Molly Mogul’s ‘100 Things (That I’ve Been Meaning To Say)’ Review: Intimacy in Motion

By Marcus AdetolaFebruary 9, 2026

Taylor Swift's "Opalite" Video Finds Freedom in Frivolity

Taylor Swift’s “Opalite” Video Finds Freedom in Frivolity

By Marcus AdetolaFebruary 9, 2026

Charlie Noordewier’s ‘Joy and Despair’ Review: When Trance Stops Feeling Like Escape

Charlie Noordewier’s ‘Joy and Despair’ Review: When Trance Stops Feeling Like Escape

By Marcus AdetolaFebruary 9, 2026