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Alexander Stewart’s Here Again Lyrics Meaning: Unpacking the Cycle of Yearning

By Alex HarrisJune 12, 2025
Alexander Stewart's Here Again Lyrics Meaning: Unpacking the Cycle of Yearning
Alexander Stewart’s Here Again song artwork
Alexander Stewart’s Here Again song artwork

Released on June 6th, 2025, Alexander Stewart’s Here Again opens a new era in his music.

The song is an emotional loop, a soft-spoken confession wrapped in midnight longing.

In this line-by-line breakdown, we explore the deeper meaning behind Here Again by Alexander Stewart—why it resonates, what it reveals, and how it captures the ache of returning to a love that already broke you.

Alexander Stewart’s latest release Here Again captures a late-night vulnerability, creating a space where emotional regression feels both inevitable and oddly comforting.

There’s something brutally honest about wearing your ex’s sweater at 3 AM.

The opening lyrics establish an immediate intimacy: “I’m wearing your sweater like we’re still together / I should take it off.” 

Stewart’s choice to begin with this physical remnant makes absolute sense—clothing holds scent, warmth, and the phantom weight of someone’s presence.

The follow-up admission, “I drank to the bottom of another bottle / Just to forget it all,” reveals the futility of his attempts at amnesia.

The phrase “The bad, the beautiful” captures the complex nature of meaningful relationships.

It’s not just the good times that haunt us—it’s the messy entirety of shared experience.

Stewart understands that love isn’t Instagram-ready; it’s complicated, sometimes toxic, yet irreplaceable.

The pre-chorus is vivid: “Too far down memory river to turn back now / Last time I went swimming with you / We both drowned.” 

This aquatic metaphor transforms nostalgia from a gentle current into something dangerous.

Memory becomes a body of water where both parties lost themselves, suggesting their relationship was mutually destructive yet impossible to abandon.

“Now it’s 3 AM / I wonder where you are and how you’ve been / I can’t tell my friends / But God knows that I want you here again.” 

The specificity of 3 AM isn’t random—it’s the witching hour of emotional honesty, when defenses crumble and truth emerges unbidden.

The admission that he can’t tell his friends reveals the shame attached to this longing.

Friends have heard the complaints, witnessed the toxicity, offered advice that he’s choosing to ignore.

The invocation of God suggests a confession booth quality—when human judgment feels too harsh, we turn to higher powers for understanding.

“Halfway through September and you’re still the center / Of all my broken dreams” places the narrative in autumn’s melancholy.

September is an important month—it’s when summers end, schools begin, and life shifts.

Yet months after whatever ending occurred, this person remains central to his psyche.

The phrase “broken dreams” is particularly gutting because it acknowledges that their shared future has shattered, yet he can’t seem to dream of anything else.

The question “No tears but it’s raining, do you feel the same when / Your body’s missing me?” connects internal weather to external climate.

The absence of tears doesn’t indicate healing—it suggests emotional exhaustion.

The physical language of “body’s missing me” emphasises how love lives in muscle memory, in the phantom sensation of familiar touch.

The bridge introduces the haunting refrain: “I hate you got me here again.” 

This line carries the weight of recognition—he knows this pattern, has been trapped in it before. The word “hate” is crucial because it’s directed at the situation, not the person.

He hates his own predictability, his inability to break free from this emotional loop.

Musically, the track builds gradually, mirroring emotional escalation. The production is intimate and unpretentious.

Piano chords provide the foundation while subtle ambient textures create atmosphere without overwhelming the vocal delivery.

Stewart’s voice carries a raspy quality that cuts through the mix with conviction—a sonic match to the emotional fray.

The final lines “Always and forever / I’ll find you” bookend the song with both threat and promise.

These aren’t traditionally romantic words—they sound more like a haunting prediction, a vow delivered with clenched teeth.

Here Again simply acknowledges and creates space for those of us still swimming in our own memory rivers, still answering the call of 3 AM honesty, still finding ourselves exactly where we swore we’d never return.

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Alexander Stewart Here Again Lyrics

Intro
(Always and forever)
(I’ll find you)

Verse 1
I’m wearing your sweater like we’re still together
I should take it off
I drank to the bottom of another bottle
Just to forget it all, mm
The bad, the beautiful

Pre-Chorus
Too far down memory river to turn back now
Last time I went swimming with you
We both drowned

Chorus
Now it’s 3 a.m.​
I wonder where you are and how you’ve been
I can’t tell my friends
But God knows that I want you here again

Verse 2
Halfway through September and you’re still the center
Of all my broken dreams, oh
No tеars but it’s raining, do you feel the same when
Your body’s missing mе?
And you know where I’ll be

Pre-Chorus
Last time I went swimming with you
We both drowned

Chorus
Now it’s 3 a.m.​
I wonder where you are and how you’ve been
I can’t tell my friends
But God knows that I want you here again

Post-Chorus
Here again
Here again
I hate you got me here again
Here again
I hate you got me here again

Bridge
(Always and forever)
(I’ll find you)
Here again
(Always and forever)
Here again
(You’ll find me)
(Here again)

Chorus
Now it’s 3 a.m.​
I wonder where you are and how you’ve been
I can’t tell my friends
But God knows that I want you here again

Outro
Here again
(Always and forever)
Here again
(I’ll find you)
I hate you got me here again
(Always and forever)
You’ll find me

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