Close Menu
  • News
  • Reviews
  • Videos
  • Interviews
  • Trending
  • Lifestyle
  • Neon Music Lists & Rankings
  • Sunday Watch
  • Neon Opinions & Columns
  • Meme Watch
  • Submit Music
Facebook X (Twitter) Instagram YouTube Spotify
Neon MusicNeon Music
Subscribe
  • News
  • Reviews
  • Videos
  • Interviews
  • Trending
  • Lifestyle
Neon MusicNeon Music

ilham “company” Review: Smooth R&B Minimalism Cuts Deep

By Marcus AdetolaDecember 15, 2025
ilham "company" Review: Smooth R&B Minimalism Cuts Deep

Moroccan-American R&B artist ilham emerged from Queens’ Queensbridge Housing Projects with a sound that fuses Aaliyah’s delicate power with North African influences. 

After placing music on HBO’s Insecure and viral success with “uhm…ok?”, the 28-year-old returns with “company,” the fourth track from her EP of the same name.

Executive produced by herself alongside Fridayy and GRAMMY-nominated MOMBRU, the song strips modern dating down to its rawest transaction in under two minutes.

The production sits in that butter-smooth pocket where R&B meets subtle afrobeats rhythms. MOMBRU and Hossy craft a backdrop that breathes creating an anthemic and infectious vibe.

Keys shimmer beneath ilham’s voice, which glides through the arrangement like silk over glass. She never pushes, never strains. The restraint makes every line hit harder.

Lyrically, “company” operates in the grey zone between loneliness and control. “When I need some company / I only mean one thing / Come through and see about me / Then leave, repeat.”

She frames desire without dressing it in romance, acknowledging the one-sided nature of the arrangement without apology. The pre-chorus reveals the mechanics: “If I hit you up, you slidin’ / Oh, you in love? One-sided.”

The track clocks in at 1:54, which might feel brief, but the brevity works. ilham says what she needs to say and exits before the moment turns uncomfortable.

The song sits comfortably next to contemporaries exploring similar emotional territory with the same “uhm…ok?” shrug she embodies throughout the project. No overthinking, just honesty wrapped in velvet vocals.

You might also like:

  • Best R&B Songs 2025: 10 Tracks Reviving Real R&B
  • Odeal “Addicted” Review: 80s Soul Meets Modern Desire
  • Summer Walker ‘FMT’ Review
  • Summer Walker & Mariah the Scientist’s Robbed You Review
  • MOLIY x Tyla Body Go Review: Ghana Meets South Africa on Dance Anthem
  • Jorja Smith “With You” Acoustic: Stripped Back, Soul Bared
Previous ArticleJon Bellion’s Father Figure Album: A Mature Return to Form
Next Article New Music Discovery: Week 50’s Best Releases

RELATED

J. Cole’s The Fall-Off Review: An Album About Ageing in Public

February 10, 2026By Marcus Adetola

IVE “BANG BANG” Diagnosis: Elegance vs Recklessness

February 10, 2026By Marcus Adetola

Taquirah’s “The Night” Remix Turns Longing Into Atmosphere

February 10, 2026By Marcus Adetola
MOST POPULAR

Sing-Along Classics: 50 Songs Everyone Knows by Heart

By Alex Harris

Joji ‘Piss in the Wind’ Review: 21 Tracks, Zero Finish Lines

By Marcus Adetola

Myles Smith & Niall Horan’s “Drive Safe” Is an Open-Road Anthem

By Alex Harris

EJAE Finds Her Groove on “Time After Time”

By Marcus Adetola
Neon Music

Music, pop culture & lifestyle stories that matter

MORE FROM NEON MUSIC
  • Neon Music Lists & Rankings
  • Sunday Watch
  • Neon Opinions & Columns
  • Meme Watch
GET INFORMED
  • About Neon Music
  • Contact Us
  • Write For Neon Music
  • Submit Music
  • Advertise
  • Privacy Policy
© 2025 Neon Music (www.neonmusic.co.uk) All rights reserved.

Type above and press Enter to search. Press Esc to cancel.