EJAE leans into movement on “Time After Time”. The track runs on bright momentum, built around a glossy indie pop pulse that feels closer to late-night radio than heartbreak theatre.
Synths flicker, drums keep a steady bounce, and the hook circles quickly enough that you catch yourself humming it before the second chorus lands.
Released on 6 February 2026, the single was produced by Vaughn Oliver and written by EJAE with Rollo Spreckley and Drew Scott.
The sound taps into a familiar pop lineage that fans immediately recognised, with listeners online comparing its groove to mid-2010s dance pop and early Dua-era energy.
That reaction makes sense once the chorus opens up. It is clean, melodic and easy to loop, with a UK-garage swing hiding beneath the polish.
The lyrics stay simple and direct. EJAE circles a memory she cannot quite drop, replaying small details that keep pulling her back to the same emotional space.
Lines about thinking of someone “every day and night” sit at the centre of the song, giving the chorus a repetition that feels intentional.
The mood never turns heavy. The beat keeps it moving.
This release lands during a busy stretch for EJAE following her global recognition tied to “Golden” and her growing profile beyond film soundtracks and K-pop songwriting circles.
She teased the track on TikTok two days before release, with the preview clip pulling in more than 85,000 likes ahead of launch.
@ejae_kTime After Time is ALMOST HERE!!! All yours this Friday, 2/6. Go presave in bio if you haven’t already 💜♬ Time After Time – EJAE
Instead of chasing a dramatic follow-up, she keeps the structure tight and lets melody carry the track. The chorus arrives fast, repeats often, and never overstays its welcome.
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